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The light novel's designs look amazing-but this adaptation's art lacks detail. Even his character art fails at conveying the intimidation. He is entirely devoid of substance, only existing to continue the story. I like them as much as the next guy, but he's not a very interesting character beyond his intimidating design. An overpowered character doesn't become good just by not being a teenage boy. What's the appeal of it? Is it that Momonga is a ridiculously overpowered self-insert protagonist and his legion of ladies all want him? Both this season and the first were at best disposable entertainment, like any other isekai light novel adaptation. The character designs look cool, and all but that isn't enough to carry a boatload of mediocrity. Overlord is not mature, it's not remotely well written, its visuals don't even look good. It is practically a generic isekai light novel adaptation, but with older characters, giving it the illusion of maturity.
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Blues are no use in a fight but can resurrect fellow Minions who've tried to stop a sword with their face.I have never understood why Overlord receives so much praise. Reds are the surly artillery who love to play catch, as long as it's with fireballs. Minions now come in four fantastic flavours: Browns are brutal brawlers that solve their problems with teeth and fists.
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Bigger, badder and more beautifully destructive, Overlord 2 has a Glorious Empire to smash, a massive Netherworld to revive, Minion mounts to mobilize, a trio of mistresses to woo, War Machines to crush opposition and lots of cute creatures to, err. Overlord II, sequel to the critically acclaimed cult hit, sees the return of the chaotic Minions and their new Dark Master.
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